Ask a male author about your male character traits or thoughts.

Amazon links to my stories: The Chess Master, Cinnamon & Sugar, Autumn Breeze, A More Perfect Union, Double Happiness, The Wolves of Sherwood Forest, Neanderthals and the Garden of Eden can be found down the right side of the blog. Another site very useful in categorizing books in their proper order is: https://www.booksradar.com/richard-rw/richard.html


Visit my website at: https://rwrichardnet.wordpress.com/

Showing posts with label good versus evil. Show all posts
Showing posts with label good versus evil. Show all posts

Sunday, July 16, 2017

The Great American Pragmatist

Before I start, you may, while reading this think I’m talking about a non-fictional person. In the front pages of many novels before the story starts, the author or editor says something like, any resemblance to someone real is purely coincidental. Just to have fun I’ll say deliberately coincidental
Is your character a pragmatist or idealist? Pay attention to the core values of your hero/heroine and other characters because it goes to what motivates them. Infusing philosophy helps tell a valued story. How strongly does your character hold these beliefs or lack thereof?
Pragmatism is a philosophical tradition popularized in the United States around 1870. For those philo geeks, there is also the closely related Utilitarianism. Nobody claims to be a Utilitarian because it’s too hard to spell or pronounce.
Put simply: what is useful is good and what is pragmatic is good. They seem interchangeable but there is a subtle difference. Pragmatism is a more active philosophy. They choose to do something that will reap benefits for them. A utilitarian chooses something to take up or take because it is useful to them. Somebody else may have already done the work. Stealing said work is often done by the Prag/Uti character, if they think they can get away with it. If they think… Both philosophies are egocentric.
These philosophies may seem glorious statements of what made our Country great but they are at odds with the Constitution. All men are created equal if it is useful or works to the character. Many religions condemn these philosophies, calling them false gods. The struggle for the character’s soul is a human condition that transcends national boundaries.
Every day the character makes useful or pragmatic decisions. Is it better for health to eat more because it tastes good or should there be more strictness about cholesterol or sugar? Does a character go to a wedding 2500 miles away, spend the money, or focus on work and make money needed to survive or live more comfortably? Innocuous actions creep up on them when it comes time to make a really important decision that may involve moral values. The problem moral steadfastness starts with habituation. It’s hard to change and so they choose to make a moral mistake hardly noticing that they have become the Great American Pragmatist.
Some characters observe the world and see that those who grab the gusto or perhaps bend the rules to suit them (pragmatism at its core) get ahead in life. They make money. Some take it a step further and get pleasure out of besting another human being. Substitute screwing for besting here, if you like.
American politics and business are the most obvious places to go for examples of American pragmatism. Many of our leaders cherish and fully understand the constitution because they live their lives by core values in which they treat each human being fairly. All men are brothers, right?
Write it.
Your character can demonstrate his/her core beliefs through habitual action, willfully wrought or not. They also can grow or change. One often needs an arc for this, LOL. The heroine sets out to tame her man, as an example.
In pragmatic politics and business or life in general not constantly confronting, reflecting on the moral value of habits, can land the character(s) in jail or worse.

Fifty Shades of Grey, Promo for movie

Sunday, January 24, 2016

Save The Cat’s Nine Lives

The classic, Save the Cat!, was written by Blake Snyder as a book on screenwriting technique, but it’s principles apply to all fiction. Its title means that moment, generally in the first scene, when the writer humanizes a character. The writer uses shorthand or a quick beat(s) to establish a more likable character, i.e. usually someone the reader/movie goer can begin to identify with. The writer doesn’t need to save a cat, although it has been done. In a story I wrote, right on the first page my heroine, in interior monologue, denigrates the hero (her opponent). But in a moment’s thought worries if he is all right. Injured, he had survived an assassination attempt.
There’s a common misunderstanding about this moment. The save-the-cat moment never ends with one beat or one moment or one character. One should never forget to humanize a typically flawed character who is on a journey of change. Change is the essence of good fiction and change for the better is the essence of all happily-ever-afters. This means the writer should not drop the cat once the technique is shown. The character grows from the beginning, through the middle and to the end. It ain’t over until the fat cat meows, and we go to black.
But don’t get preachy unless it’s an inspirational. In any case, show, don’t tell.
Saving the cat is like moving a subordinate phrase to the beginning of a sentence, ahead of subject, predicate and object. That is to say, before the reader/movie goer knows much at all.
Don’t overuse the technique, but don’t forget it. Always plowing straight ahead can cause a monotonous, somnambulistic effect on a dwindling audience.
Some recommend counting to ten, before letting go of your manuscript. Just count to nine.

An excellent example of saving the cat at various strategic moments by both hero and heroine and throughout the story occurs in the Hallmark movie, Unleashing Mr. Darcy, which premiered last night. The movie is a modern take on Pride and Prejudice.

 

Sunday, September 27, 2015

DO ONTO OTHERS

Pope Francis carried a briefcase on his trip. He kept a toothbrush, novel and other things in it. I couldn’t find out the name of this novel but I do know his favorite sitting-on-the-beach summer read (as if he had the time) is Late Have I Loved Thee by Ethel Mannin. Ethel was a non-Catholic anarchist (some say atheist).

We do not have to write inspirational novels to inspire. Whether we tell or show (better to show) our hero and heroine practicing the golden rule we are doing what readers want. They want their heroes to be good or struggle to become good. The reader identifies best with characters she could aspire to be, in some small way.

Many writers pen a hero or heroine subconsciously acting in a loving way. Because love attracts love. Love tears down barriers to that happily-ever-after.

In my WIP (work in progress), Seven Boyfriends, I show the heroine inviting an elderly man with walker into her lobby and out of sweltering heat, for a cool glass of water. Waving his cane at her, he refused, “I’m fine.” This little side step from the plot came out of my subconscious mind. Showing off the hero or heroine’s good qualities should be second nature to us and is certainly a sign of not only a good writer but of a good story. To me, being capable of love, includes an attitude to thy brothers and sisters, i.e. every person. Sure, the story and character arcs should carry this preferably hidden subtlety throughout the book.

Is your hero heroic?

Here's a 14:31 minute piece on 60 Minutes about the Pope.



Below are some things about this Pope that will forever impress me. They might not impress my more conservative friends, but that's okay because I respect and love you:
The Pope asked for our prayers and for those who didn't believe or could not pray to send good wishes.
Francis tied climate change to the deaths of the poor and insisted we act because that is a tenant of Christianity.
When asked about gays he said who is he to judge.
 

Sunday, December 1, 2013

Devil or Angel

Devil or Angel

Do guys like devils or angels? Do they like the naughty girl or the straight-laced? It depends. Are we talking straight laced to the point it must always be the missionary position and only on a harvest moon? Are we talking naughty to the point that she ties you down, literally (and then performs a ritual sacrifice)?

Of course, the answer is, it takes all kinds, but you had better show both the hero and heroine considering what they like and don’t like, what they want from a life partner.  I’ve read some romances in which I have no idea, beyond sex, why the two are together.

I think it would be interesting to have a hero or heroine who is both straight-laced and wild. How fun is that? Think, the naughty librarian. How about a woman who is addicted to porn (by herself) and is caught (extremely unlikely and I wouldn't write that, but . . .)? The unusual may not be very close to real life, but it would certainly be memorable and it would leave your reader with something more to worry about.

DEVIL OR ANGEL, original recording, 1956, by The Clovers


I want to know if you're a devil or angel. The ms. I'm working on now is all about a devil or angel. I got my inspiration not from the song, but from one of our own great and famous authors, Linda Thomas-Sundstrom. Nobody writes this type of character better.