Ask a male author about your male character traits or thoughts.

Amazon links to my stories: The Chess Master, Cinnamon & Sugar, Autumn Breeze, A More Perfect Union, Double Happiness, The Wolves of Sherwood Forest, Neanderthals and the Garden of Eden can be found down the right side of the blog. Another site very useful in categorizing books in their proper order is: https://www.booksradar.com/richard-rw/richard.html


Visit my website at: https://rwrichardnet.wordpress.com/

Sunday, October 29, 2017

Kiss Me Crazy

Kissing lowers blood pressure 3.5%.
Is this true? I read it in a mystery novel, of all places. I searched on Bing and stopped when I read Dr. Fahad Basheer’s article published 1/7/2016. Basically, although the 3.5% wasn’t mentioned, this was all I needed. He writes: The kiss is a measure of a person’s feelings, of his or her love or attraction to another. A truly meaningful kiss can also act as a powerful mood booster, instilling a sense of confidence and heightened self-esteem in both parties. The strength of a kiss lies in the power it has to cause the release of serotonin and oxytocin peptides in our bodies.
Here’s a summary of his 10 points:
1. Relieves physical pain.
2. Lowers blood pressure.
3. Improves the health of our heart.
4. Boost immunity & help with allergies.
5. Improves oral hygiene.
6. Improves mood & decreases stress.
7. Relieves menstrual cramps. [This reminds me of the old chestnut: Not now, I have a headache.]
8. Relieves headaches & migraine. [My same thought as above here.]
9. Improves the tone of facial muscles.
10. Burns calories.
For those who want to read the entire artcile or the reasons behind the ten points go to: http://www.collective-evolution.com/2016/01/07/10-benefits-of-kissing-backed-by-chemistry/
As for writing, consider having fun with this in dialogue. Understand that a make-out session is beneficial for more than teenagers. Kissing can be an end to itself.
What the doctor did not write but implied: Kissing leads to sex. But kissing is so intimate, it is sex.

If you want a kiss, suggest the benefits, LOL. ...And get close.

Sunday, October 15, 2017

First love is a forever love

In last night’s Hallmark movie premier of Love Struck CafĂ©, one of the characters claimed that a first love is a forever love. This thought is to be considered while writing YA (young Adult) or Middle Grade. It may also show up in an adult romance as backstory, as in the movie. And well done, indeed.

Points for the statement:
1. Hormones are at their highest in life, making everything about love and bonding so intense, the hero and heroine can’t get enough of each other. Every moment is treasured and looked forward to with abandon.
2. Experiencing anything for the first time becomes an indelible marker for life.
3. The process of engaging in new ways of living and doing things, breaking old habits (things of a child), makes for unforgettable memories.
Points against:
1. The kids don’t know what they’re feeling (puppy love).
2. The kids confuse passion or sexual excitement for love.
3. The kids are naturally more egotistical and may not have empathy enough to really know each other.
Personally, although the points against have their lure, the first three for love being forever fit better with scientific studies on the subject.
No matter the portrayal, the writer needs to seriously consider these ideas in developing a romance for any age. At least, the story will have depth.
In the Hallmark movie, in backstory we see the youngerr versions wrestling with going off the college. The hero breaks up, without explanation, in order to not hold back his heroine. Many of us have been there and done that or have heard of such break-ups. BTW, her heart was broken, she blamed him, but oddly he never questioned his decision or at least it wasn't shown.

Perfect by Ed Sheeran, 2017



Sunday, October 8, 2017

Job versus romance

Job versus romance
Some traditional writers see a HEA (happily ever after) as a chance for the heroine to leave her job behind and become a mother and housewife. Although this is a legitimate choice, and every one has the right to choose, it minimizes conflict. Consider also, that God gave us talents and wants us to maximize them, if the mother has time, LOL. This applies to stay at home dads, as well.
In most modern romances, the hero and heroine struggle with career and each other. They want the best for their partner. They want to support the other without reservation, no matter the choice. Through the difficulties of the story and character arcs they show this capacity. The conflict enriches the story.
All I’m saying is consider these dynamics. Would you consider it a good choice if a M.D. heroine gives up helping the sick and dying to solely raise a family?? Probably not. A traditional writer would likely not choose this background for the heroine.
Giving back to others, aside from family, is love, just like romance. Ain’t we writing about love?


Sade, Feel No Pain, 1992
https://youtu.be/yoLoEw8D0Bg

Sunday, October 1, 2017

Kiss Me in the Snow

Kiss Me in the Snow
I read this romantic comedy by Rich Amooi (funny name) on my vacation. I loved it. Rich and his lovely wife, who is also an author, recently joined RWASD.
It reads like a Hallmark movie. His subtle turns of plot and fresh dialogue was a distinct treat. The funny here is not in whether Rich is a comedic genius or not, he underplays the humor in any given situation. No, he tells a story in which both hero and heroine (plus a secondary romance) are at odds in all ways, always, right through the black moment.
Some of my readers have expressed concern about writing comedy and I thought of them, often as I read through the story. If you can put your protagonists through challenging situations in which people are not getting knocked off you write with natural humor. The heroine starts by making a list of “A list” dramatic actresses she wants to bump off, but she’s just expressing her frustration about only being an action (top-grossing) heroine. Her loving sister makes a suggestion of a get away over the Christmas holidays. Each swear off men and the plot roles on from there.
Note: I remember fondly our Mary Leo’s wonderful Harlequin Flipsides, like Stick Shift. By the way, both titles are naturally funny and it is hard to say why, because perhaps it’s just me and my search for double entendre in everything. Dear Mary and Rich, tell me it ain’t so.
If you just stick to the basics of getting your hero and heroine into embarrassing or challenging situations and up the stakes, as in every other novel, you’re there.
For another thing, get a cover artist who works in this genre.


Just follow the road map laid out by Aristotle and people will laugh their asses off.