Highlights
of Show, Don’t Tell by Sandra Gerth,
a free ebook that has won awards.
Red
flags for telling:
1.
Conclusions
2.
Abstract
language
3.
Summaries
4.
Backstory
(there’s right place for this in the novel, generally later and spread in small
pieces)
5.
Adverbs
6.
Adjectives
7.
Linking
verbs (i.e was/were/is/are/felt/appeared/seemed/looked etc.)
8.
Emotion
words (angry/surprised/amazement/confusion etc.)
9.
Filters
(saw/smelled/heard/felt/watched/noticed/realized/wondered/knew etc)
To turn telling into showing:
1.
Use
the five senses
2.
Use
strong dynamic verbs
3.
Use
concrete nouns
4.
Break
activities into smaller parts
5.
Use
figurative language
6.
Write
in real time
7.
Use
dialogue
8.
Use
internal monologue
9.
Focus
on actions and reactions
Avoid: Redundancies.
Telling Backstory (use iceberg theory). Flashbacks/Prologues/character
descriptions/feelings (don’t describe your characters all at once)—Reveal the character
of a character.
Danger areas are large blocks of
description. Make them dynamic. Describe only what your POV character would
notice given his/her background, personality, and situation.
Avoid clichés. Naming emotions instead of
describing.
ABC Always be clear.
Eight ways to reveal emotion without
telling:
1.
Physical
responses
2.
Body
language
3.
Facial
expressions
4.
Dialogue
5.
Internal
monologue
6.
Setting
descriptions
7.
The
five senses in moments of heightened emotion
8.
Figurative
language. BE UNIQUE and AVOID AMBIGUITY
Telling in
dialogue.
Avoid:
1.
“As
you know” dialogue
2.
Creative
dialogue tags
3.
Adverbs
in dialogue tags
4.
Reported
dialogue
Don’t overshow
either on a macro or micro level.
Sometimes use
telling for unimportant details, transitions, repeated info, repeated events,
pacing, context, suspense, first drafts.
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