This blog is for educational purposes (although I feel like I learn just as much from your comments). Dig into the male POV (point of view) for hero and supporting cast, for good guys, bad and inbetween. Find gems or alternate ways of writing male POV.
This blog has changed. I will be writing about what I fancy.
Ask a male author about your male character traits or thoughts.
Amazon links to my stories: The Chess Master, Cinnamon & Sugar, Autumn Breeze, A More Perfect Union, Double Happiness, The Wolves of Sherwood Forest, Neanderthals and the Garden of Eden can be found down the right side of the blog. Another site very useful in categorizing books in their proper order is:https://www.booksradar.com/richard-rw/richard.html
Something deep within the female soul seeks to nurture no matter the circumstances. All the better if they have kids to do this to.
Toss Goldie Hawn Overboard, give her amnesia, a handyman (Kurt Russell) who wants to get even and you have the ingredients for a classic screwball romantic comedy. There are some films I 'can' watch more than once. And honestly, it's not because Goldie has a perfectly delectable body. Honest. I like her mind too (rumor has it, she's no dummy). Well okay, I'm getting off point.
Sometimes writing, by someone not yet published, is like a
fox jumping on a trampoline. You (the fox) don’t know what it is, but you are sure you’ll
love it. You observe bigger creatures getting a bounce out of it, whatever that
is. You want it too. You jump and wonder why your bounce is so small. But it is
a bounce. You do it again and again. You’re hooked. Even though it’s a small
bounce, it’s fun to you. Someone watches you. She doesn’t think it’s a small
bounce. She thinks it’s a subtle bounce and very entertaining.
Maybe after viewing this video you’ll think my analogy is a
bit of a stretch. So let’s look at it another way. Sometimes writing is like
discovering hidden beauty. Sometimes I just want to show you what I love, which is very much about the male POV.
EXTRA CREDIT:
Yesterday I'm driving fast in the 3 northbound lanes of El Camino Real. I notice a pickup truck stopped in the passing lane encroaching about a foot into the next lane. I slow down. A big tattoed guy is out of his truck along the side facing the medial strip. I slow down some more and the other cars trailing behind me are doing the same. By the time I notice the mother goose and her goslings all in a line waddling along the side of the truck tight up against the medial and within a foot of this big guy's legs, I'm by the truck. I lamented not being quick enough to slow down and bring everybody behind me to a stop. But, the cars behind me having more time to react stop and the big man . . . well that's all I saw before I turned up Levante. I think we can write a happily ever after. There were no crashes on the eleven o'clock news.
Maybe it's a guy thing. I enjoy a romance in which either the hero or heroine start out looking for (or with) one person and end up with someone else (or perhaps both). The mystery is in who (he)she'll pick.
I'd like the names of romance novels which have this type of twist. Is it simply a compromise of values or an enlightenment. An enlightenment is easier to write (the hero/heroine discovers he/she has made an error in thinking). A compromise borders on breaking the rules of the romance writing game (the hero/heroine settles for a percieved less than what he/she wanted). Any examples would be appreciated.
Getting back to the lyrics above. You try to get what you want and then through some twist you get what you need. What the hell did Mick Jagger mean? This need and want they sing of might not be exclusive of each other. Our heroine could try to get the hero (her want) and discover he's not who she thought he was, but she gets what she needs anyway. There's any number of ways of playing this, but I need your help with good examples.
I'll offer one example: Linda Randall Wisdom wrote Free Spirits (1991). The heroine wants marriage to a very successful business man but changes direction to someone else about half way through the book.
In real life we sometimes want things that we don't get, but since we are all happy with writing for others (our need) we're doing very well, right?
LOL: Sometimes what you want, you shouldn't have.
And now for the more entertaining portion of our program:
I’ve invited Sir Robert of Loxley as a guest blogger today.
He’s accomplished in swordplay, and considered the deadliest archer in all of
England and is a Saxon Knight loyal to the good King Richard.
RW: How did you earn your spurs and become a knight at such
a young age?
Sir Robert: With many away on Crusade, Sir Guy and I were
recruited by Sir William Marshall, Defender of the Realm, in the King’s absence and taught well, indeed.
RW: How is it to practice with Sir Guy?
Sir Robert: But for a mere trifle, the boy now man
aggravates me. He seeks Lady Marian’s hand. I’ll have none of this. If he persists,
I’ll run him through.
RW: But isn’t Lady Marian about Prince John’s business these
days, anno Domini 1194?
Sir Robert: The lady is but days away from becoming mine
forever. She must simply thread a needle and find me in Sherwood.
RW: You have a home in the shire, why Sherwood?
Sir Robert: Marian is both my best friend and my eternal
flame. Our friendship was forged in Sherwood when we were boy and girl. She shall
renew our love by recalling happier times with me at our secret place.
RW: But the forest is overrun by wolves.
Sir Robert: Do you, sir, suggest Marian cannot find a way to
me? Are we not fated? I am not happy with your tone. Remember this, scribe. The
wolves of Sherwood are my friends and will treat the Lady properly.
I had to end the interview at this point, because Sir Robert
(later known as Robin Hood) was sharpening his sword and tongue. I thought it
best to mount my stead and visit Will Scarlet for a calmer and merrier interview.
Off, Geneviere. To Nottingham make thy way.
Witness one of the greatest kisses and love stories ever presented on the silver screen. Olivia De Havilland and Errol Flynn declare their love in The Adventures of Robin Hood 1938. The end of this YouTube snipet is spliced badly and then cut. It is picked up just before the splice in the trailer below. For those in a rush, you can move the raster in the second scene until you see the love scene and then back off a tad and release the mouse.
I’m forever amazed by the talented and many published
authors we have at RWASD. I’m currently reading Twist of Fate by Linda Randall
Wisdom (1996). Linda did two remarkable things (so far) besides writing a great
story.
1.She was inspired by the, no longer on the air TV show,
Quantum Leap. I learned I could be inspired by a TV show to write something similar (with a twist or two). Twisting a known story and doing it well guarantees an audience and readers already in love with your characters.
2.She reversed one of the most hallowed tropes in romance
writing: the guy is rich and rescues the down-and-out heroine. Here, the heroine
rescues the failing hero with her check book.
I was going to
write this blog post about how guys don’t see tropes the same way as ladies, but
because of Linda, I know twisting a common theme makes for a good story and I can't find any evidence to support my idea.
When you construct
your next story, consider changing any or every role to the opposite sex, no
matter the age. It will challenge you, but would the story be just as good? Since most romance readers are women and they often want the fantasy, are you writing in a way to fulfil them?
Isn't romance writing a good deal about the woman's heart, anyway?
NOTTING HILL: "But don't forget . . . I'm also just a girl . . . standing in front of a boy . . . asking him to love her."
p.s. Was doing taxes last week, hence no post on 4/7/13.