Write what you feel not what you know

If you feel strongly about something and can express it in story, you have a great start.

If you can feel your characters vicariously, you can’t lose.

If you feel you are saying something that will uplift, inform, scare, inspire and your heart is in it you’re on your way to the great American novel.

I know many of us see writing as a business and/or are driven by what the publisher’s vision of what the readers’ preferences are. Fine. Do that. Feeding one’s family is important. But ask yourself will your novel stand the test of time. If that isn’t practical and you need to make a living consider engaging your heart, baring your soul, opening a vein and pour out that one story that you feel will contribute to the human race. and be known forever. Make it your To Kill a Mockingbird.

If you must hide this manuscript from your agent or publisher, do so. We want to know the real you. We want to feel something outrageously special when we read your masterpiece.

IMO, most midlist authors are listening to what their publishers know rather than that which burns within. If nothing burns within, that’s okay, you are a professional. I have read many an enjoyable novel full of all the right tropes, fatal flaws, plot twists etc. and have thanked the novelist/friend for it.

If you love to write about cowboys, or rom coms with cute meets, or vampires with toothaches and a fear of dentists, then that’s very okay. Because it is you and that’s all I ask for. Because you feel.

You might ask how can I write what I don't know. Aside from pointing out that that's what the publishers ask of you the real answer is we learn. We can learn almost anything.

Next week as a follow up I'll suggest you stay tuned into popular culture if you want to write about romance, because the times, they are a changin'.

Sometimes it's as simple as blocking out a little time for what you love. Raining on Sunday, 2003 sung by Keith Urban:

Wired for Story

Last month, Lisa Cron lectured at the RWASD meeting on discoveries she presented in her book, Wired for Story. I bought the book and found her presentation and the actual book unique in its approach to the craft of writing.

I’m writing about one idea that was very hard for me, an ex-engineer, to wrap my head around.

“Cognitive secret: Emotion determines the meaning of everything…”

If I design a widget, I expect it to work because I had invested logic and know-how in building it. Ms. Cron, using well-researched materials, shows that one can’t or won’t do [design] anything if there is no emotion permeating whatever you are doing. Her research boldly states, you will do nothing or find yourself incapable of making a decision.

I’ll add a corollary to that by saying a guy is never devoid of emotional reasons when he tries to “hook-up” even for so-called casual sex. It’s for the writer to discover and present the guy’s hidden intentions, even if minimal.

I highly recommend her book, as it covers writing from head to toe and doesn’t ignore the heart for either male or female characters.

Can you think of a case of someone doing something that is only based on logic?

Have you written a heartless antagonist?

The movie, The Martian, 2015, is a great example of emotion trumping logic (and all us smart-ass engineers). 3 minutes.